Specification TABTEA9716 · SIMPLE
Specifications
| Dimensions | Width : 120 cm / Depth : 120 cm / Height : 90 cm |
|---|---|
| Weight | 4 kg |
| Materials | Solid Wood, Brass |
| Country of Origin | Egypt |
| Design Style | Louis XVI Neoclassical |
| Ideal Placement | Living Room, Bedroom, Hallway, Reception, Library |
| Delivery Time | 30-45 Days |
| Assembly Required | Minimal Assembly |
| Care Instructions | Dust with Dry Cloth |
| Handcrafted | Yes — by Egyptian artisans |
| Customizable | Yes — contact us for custom orders |
Description
Design & Inspiration
There is a moment when a coffee table stops being furniture and becomes the centrepiece around which a room organises itself. This octagonal salon table, faithfully reproduced in the tradition of late French Neoclassicism, creates exactly that moment. Its shaped top — twelve-sided with gently canted facets — draws the eye inward to a central medallion of floral marquetry, while the cream-panelled apron punctuated by antique-gold bronze mounts commands every angle of approach. This is a piece designed to be seen from all sides, and it rewards every vantage point.
Materials & Craftsmanship
The table is built on a frame of Romanian solid redwood (kiln-dried to below 10% humidity for dimensional stability), finished in a deep mahogany high-gloss lacquer that gives the top its characteristic warmth and depth. The central marquetry medallion is hand-laid: contrasting veneers — warm satinwood against darker ground — are cut and assembled to form a naturalistic floral bouquet, a technique that reached its apex in the Louis XVI workshops of the 1770s–1790s. The apron panels are finished in a cream lacquer framed by ebonized wood mouldings, onto which cast antique-gold bronze reliefs — laurel swag garlands, acanthus sprays, and fluted corner pilasters — are applied. The four tapered legs are ebonized and decorated with gilt-bronze banding at the frieze and brass sabots at the foot.
Dimensions & Details
The octagonal top provides a generous surface for books, trays, and decorative objects without the rigidity of a rectangular form. The tapered leg profile keeps the visual mass of the piece light — a hallmark of Louis XVI design philosophy, which deliberately moved away from the ground-hugging mass of Rococo in favour of architectural verticality and classical restraint. The brass sabots at the foot protect both the legs and the floor surface beneath.
Handcrafted in Egypt
Every element of this table is handcrafted in the Brass & Wood atelier in Egypt, where master craftsmen trained in classical European joinery traditions apply the same techniques — hand-cut marquetry, hand-applied bronze mounts, hand-finished lacquering — that defined the original Louis XVI cabinetmakers' ateliers. The result is not a reproduction of a specific historical piece but a faithful interpretation of the period's design language, made to be used and admired in equal measure.
Frequently Asked Questions
What materials is this table made from?
The frame is Romanian solid redwood with a high-gloss mahogany lacquer finish. The top features hand-laid marquetry veneers. The apron panels are cream-lacquered wood with cast antique-gold bronze relief mounts. The legs are ebonized with gilt-bronze banding and brass sabots.
Is assembly required?
Minimal assembly is required — typically attaching the legs to the apron frame. Full instructions are included. No specialist tools are needed.
Can this table be customised?
Yes. Brass & Wood offers customisation of finish colours, leg style, apron panel treatment, and marquetry pattern. Contact our team to discuss your requirements before placing your order.
