
| Dimensions | Diameter 125 cm / Height 90 cm |
|---|---|
| Weight | 4 kg |
| Materials | Solid Wood, Brass |
| Country of Origin | Egypt |
| Design Style | Louis XVI Neoclassical |
| Ideal Placement | Living Room, Bedroom, Hallway, Reception, Library |
| Delivery Time | 30-45 Days |
| Assembly Required | Minimal Assembly |
| Care Instructions | Dust with Dry Cloth |
| Handcrafted | Yes — by Egyptian artisans |
| Customizable | Yes — contact us for custom orders |
A round table commands a room differently than a rectangular one — it draws people around it equally, without hierarchy. This centre table, faithfully reproduced in the tradition of Louis XVI Neoclassical design, does so with particular authority. Its ivory-toned frame and vivid polychrome floral garlands stop the eye before the mind has caught up. The piece evokes the refined interiors of late 18th-century Versailles, where classicism was not an abstract ideal but a living visual language spoken in carved wood and gilt ornament.
The table is constructed from Romanian solid redwood dried to below 10% humidity — a standard that ensures dimensional stability across Egypt's varied climate. The ivory hand-rubbed finish is layered over the carved frame to highlight the depth of the relief without flattening the detail. What distinguishes this piece at close range is the polychrome treatment of the garland carving: roses in deep red, open blooms in blue and amber, clusters of fruit in naturalistic colour — each element individually highlighted by hand. The acanthus-carved cabriole legs follow the Louis XVI interpretation: straighter and more controlled than their Rococo predecessors, with the foliage contained within the knee rather than flowing freely. A carved urn finial crowns the central X-stretcher, a detail lifted directly from the period's vocabulary of classical antiquity.
The round top presents a clean wood-grained surface edged with a beaded moulding and a painted pink banding — a delicate chromatic note that echoes the floral palette below. The apron runs three registers deep: an upper beaded rail, a central Greek key channel, and the principal garland frieze from which the swag carvings hang. The X-stretcher connecting the four legs is joined at the centre by the turned urn finial, adding visual interest to the base and preventing the table from reading as top-heavy. Dimensions are available on request.
Every element of this table — from the cabriole leg profile to the individual petals of the floral garland — is shaped and finished by hand in Brass & Wood's Egyptian workshops. The polychrome painting of the carved ornament requires a separate skilled hand from the carver: the kind of division of labour that defined the great French ateliers of the 18th century, and that Brass & Wood intentionally preserves. The result is a piece with genuine craft presence, where no two examples are entirely identical.
The table is constructed from Romanian solid redwood (dried to below 10% humidity) with a hand-rubbed ivory finish. The decorative floral garland elements are hand-carved and finished with polychrome paint highlighting. No marble or glass top — the surface is solid wood with a beaded edge moulding.
Minimal assembly is required — the table ships with the stretcher and top detached for safe transport. No specialist tools are needed, and the process takes approximately 15–20 minutes.
Yes. Brass & Wood offers customization of finish colour, top material, and dimensions. Contact our team to discuss your requirements before placing an order.