
| Dimensions | N/A |
|---|---|
| Weight | 4 kg |
| Materials | Solid Wood, Brass |
| Country of Origin | Egypt |
| Design Style | Louis XV Rococo |
| Ideal Placement | Living Room, Bedroom, Hallway, Reception, Library |
| Delivery Time | 30-45 Days |
| Assembly Required | Minimal Assembly |
| Care Instructions | Dust with Dry Cloth |
| Handcrafted | Yes — by Egyptian artisans |
| Customizable | Yes — contact us for custom orders |
Place this table at the centre of an entrance hall and the room declares its intentions at once. The circular Calacatta marble top — white with the characteristic grey-green veining that makes this stone unmistakable — rests above a carved wooden base of such decorative ambition that the eye cannot settle. Sage green lacquer plays against gilded acanthus scrolls; the apron runs a continuous frieze of elongated Gothic-arch lancets beneath a rope-moulded top rail; and between the four swept legs, a central stretcher bursts into a sunflower medallion framed by C-scroll branches. This is Louis XV Rococo in its most animated register.
The base is constructed from Romanian solid redwood (moisture content below 10%), chosen for its dimensional stability and its ability to hold deep carved relief without splitting. The polychrome finish — sage green as the ground, with selective gold-leaf gilding applied to every raised ornament — follows the French Rococo tradition of painting furniture as though it were porcelain, a practice popularised in the ateliers of Versailles during the 1740s. Each carved element — the acanthus leaf brackets at the leg heads, the swag-and-medallion panel at the apron centre, the scrolled feet — is hand-worked by artisan carvers and gilded individually before assembly. The Calacatta marble top is edged with a thin gilt moulding that ties the stone to the gilded base without overpowering the natural veining.
The table's circular form — a deliberate departure from the rectangular entrance table convention — makes it equally at home as a salon centrepiece or a grand hallway focal point. Four cabriole legs with pronounced knee carving sweep outward before returning to scroll feet, connected by a four-way cross stretcher with a carved rosette hub. The apron's lancet-arch frieze, repeated in full around the circumference, gives the table a visual rhythm that reads from every angle — important for a piece that will be seen in the round. Dimensions are available on request; custom sizing is offered.
Every piece bearing the Brass & Wood name is made by hand in Egypt by craftsmen trained in the European classical furniture tradition. The carving, gilding, painting, and stone-setting are performed in sequence by specialists — not on an assembly line. The result is a table that carries the fingerprints of the people who made it: variations in the gilding catch light differently at morning and evening, and the painted ground has the slight depth of hand-applied lacquer rather than the flat uniformity of spray. This is a faithful interpretation of Louis XV Rococo craftsmanship, brought into the modern home with the care the original designs deserve.
The top is Calacatta marble — a premium Italian stone distinguished by its white ground and bold grey-green veining. It is naturally resistant to scratching but should be sealed periodically and kept away from acidic substances.
Yes. Brass & Wood offers customisation on wood colour, painted finish, gilding tone, and marble selection. Please contact our team with your specifications before placing an order.
Minimal assembly is required — the marble top is shipped separately and placed onto the base on delivery. No specialist tools are needed.