Specification TABVAS3251 · CONFIGURABLE
Specifications
| Dimensions | عرض : 23 سم / عمق : 15 سم / أرتفاع : 38 سم |
|---|---|
| Weight | 4 kg |
| Materials | Brass, Ceramic |
| Country of Origin | Egypt |
| Design Style | Rococo / Louis XV |
| Ideal Placement | Living Room, Bedroom, Hallway, Office, Reception |
| Delivery Time | 30-45 Days |
| Assembly Required | No Assembly |
| Care Instructions | Dust with Dry Cloth, Wipe with Damp Cloth, Polish Periodically, Avoid, Direct Sunlight |
| Handcrafted | Yes — by Egyptian artisans |
| Fragile | Yes — handle with care |
| Customizable | Yes — contact us for custom orders |
Available Finishes
Description
Design & Inspiration
Few decorative objects command a room with the quiet confidence of a covered urn vase in the grand Rococo tradition. This handcrafted lidded ceramic urn, inspired by the celebrated Sèvres and Meissen porcelain ateliers of eighteenth-century Europe, brings together the swelling organic forms and playful gilded ornamentation that defined the Louis XV aesthetic. Its voluptuous ovoid body, delicately blushed in rose, seems almost to exhale — a visual softness that the elaborate cast-brass mounts only serve to emphasize by contrast. Placed on a mantelpiece, console table, or reception sideboard, this piece does not merely decorate; it anchors the entire room in a spirit of cultivated European elegance.
Materials & Craftsmanship
The body is formed from fine ceramic, fired to achieve a smooth, luminous rose ground that serves as the ideal canvas for its hand-painted decoration. At the center of each face, an exquisitely rendered floral medallion — roses, ranunculus, and foliage rendered in the naturalistic style of Rococo botanical painting — is encircled by sweeping gilded acanthus scrollwork applied directly to the ceramic surface. The brass mounts are cast and hand-finished: a pineapple-form finial crowns the domed lid, flanked by sinuous double-scroll handles that extend into naturalistic leaf and tendril forms. The spreading foot is richly chased with asymmetric acanthus relief, raised on four small scrolled sabots — a hallmark of authentic Rococo metalwork. Every brass component is polished and lacquered to preserve its brilliance.
Dimensions & Details
This statement urn vase measures 23 cm wide × 15 cm deep × 38 cm tall and weighs approximately 4 kg, giving it a satisfying physical presence without overwhelming a surface. The domed lid seats securely atop the neck, and the generous scale makes it equally suited to stand alone or to pair symmetrically with a second piece for formal arrangements. Available in Gold, Silver, and Antique Gold brass finishes to complement a range of interior palettes.
Handcrafted in Egypt
Every piece in the Brass & Wood collection is brought to life in Egypt by artisans who have trained for years in the European classical tradition. The ceramic body is shaped, glazed, and hand-painted by skilled decorators; the brass mounts are cast, hand-chased, and individually fitted. No two pieces are entirely identical — minor variations in the hand-painted medallion are a mark of authenticity, not imperfection. This is luxury home décor in the truest sense: made slowly, made well, made to last generations.
Frequently Asked Questions
What materials is this vase made from?
The body is high-quality ceramic with hand-painted gilded decoration. The lid, handles, foot, and all mounts are cast brass, available in Gold, Silver, or Antique Gold finishes.
Is this vase fragile, and how should I care for it?
Yes — as with all fine ceramic pieces, handle with care. Dust regularly with a soft dry cloth. For the ceramic body, a lightly damp cloth may be used. Avoid abrasive cleaners. Polish the brass mounts periodically with a suitable brass polish and keep the piece away from direct sunlight to preserve the painted decoration.
Can this piece be customized?
Yes. Brass & Wood offers customization options including alternative brass finishes and, for larger orders, variations in the ceramic ground color. Please contact our team to discuss your requirements.
